Alan Bateman

Monday, May 3, 2010

Tuesday, April 27, 2010

A project that was the brain child of my father's is Get to Know. I was just in Ottawa representing dad and the Get to Know program, have a look at the link to find out what the program is about and encourage any young artists you know to enter the contest.

May update

So as it turns out I am not much of a blogger, but I thought I should add a bit of an update. I will be having a show with my lovely wife Holly (our first show together) at Trinity Gallery in Saint John New Brunswick on May 7th. Our work is very different from each other, but there is a bit of a thread of influence we both love the artist Kit Williams.

Saturday, October 24, 2009

2009 Show of New Work

All are welcome to attend the opening of my show at Beckett Fine Art on November 7th 1-4pm

Director: Thomas G. Beckett

Telephone: 416- 922-5582
Fax: 416- 922-9869
e-mail: info@beckettfineart.com
Web: www.beckettfineart.com

Regular Gallery Hours:
Wednesday - Saturday 10:30am - 5pm
and by appointment.

Pumpkin Blossom, Acrylic on Board 36"x16"

Raven's Perch Acrylic on Board 31.5"x24"

Friday, October 16, 2009

Autumn, Acrylic on Board, 24"x24"

Artists Statement (under duress)

I usually do not write long expiations regarding any one piece of my art. I am a not a writer. The paintings, at least in my genera, are the message. If you don=t relate to them any enlightenment on my part will only help you develop a more academic understanding of why I paint. As with many artists of all disciplines my inspiration comes from living. There is a cyclical nature to my life. I am not sure if my art inspires my life or if my life inspires my art. The parts of my life that translated in to paint always leave me with a better understanding of how I see.

There are certain things that are missing from my work. This has only recently occurred to me. In a subtle way they lack any marks of modernity. I would not paint a traffic sign, or a cd player. I may even edit out hydro lines. I now know why I had an unconscious need to portray things this way. It has to do with a kind of visual literacy. It seems that you use a different part of your brain for reading symbols, and putting them in context, than you do for just experiencing something. A stop sign has a message, you can=t not read it. For me this interferes with a pure experience. Although timelessness is not an intentional component of my work, it seems to be there. I don=t feel that this is an overly contrived way of painting. It just happens to be how I see my surroundings.

My ideas come from my life. I may be out side pruning a fruit tree, as well as various other things over the course of months or even years. I am always open to situations that may reveal them selves as potential painting ideas. Fortunately, for my sanity, and unfortunately, for my prolificacy, this process takes some time. If I spent all day at the easel, there would be no influx of experiences. And if I didn’t=t paint I wouldn’t=t have the intimate parts of my life revealed to me.

Although it sounds odd, some of my paintings seem to complete themselves. One of the most difficult parts of painting is knowing when to stop. I will leave a painting when it is close to being completed, and just look at it over several days. It doesn’t=t really change, but I do. There may be a few spots that need finishing, however other areas may have been completed with in the first few minutes of work.