Alan Bateman

Sunday, August 23, 2009

Fundraiser

This is actually a canvas chair sling. It's was painted for a fundraiser in Ontario this web site should explain how it works.http://www.theothercanvas.ca/

"Pumpkin Blossom"

Acrylic on Canvas
Image about 36"

Saturday, August 22, 2009

I now have a firm show date for 2009 and that is November 7 at Beckett Fine Art 120 Scollard Street, Toronto, Ontario, M5R 1G4, Canada.
If you are interested in getting an invitation you can just drop me an email and I will forward it to the Gallery (mail@alanbateman.com)

Saturday, May 9, 2009

Ring Neck

This a small painting of a Ring Neck Pheasant feather. It's about 4x9 in. It was sent out to a miniature show at Picture This Gallery in Edmonton

Wednesday, February 18, 2009

The Brush

So far this is the only brush I have used for this painting. It's a fan brush that I cut slightly flat across the top.

First Layer

I am almost done the first layer of painting.

Monday, February 16, 2009

Starting

I am just a few hours in to starting a painting, I have a love hate relationship with this stage. I sometimes feel like it's never going to come together, and then when I stand way back, I feel a little relief.

Sunday, November 30, 2008

Festival of Trees

Thanks to everyone who attended the Festival of Trees Gala. And thank you to every one who had such kind words to say about my work. For those who don't know the painting "December"ultimately ended up selling for $15,000 my highest auction price to date. It was an exciting and stressful night for me as the auctioneer insisted in keeping me on stage during the live auction. All the money goes to a great cause (http://www.mentalhealthns.ca/). My thanks to the Keating family who treated me very well throughout the whole process.

Artists Statement (under duress)

I usually do not write long expiations regarding any one piece of my art. I am a not a writer. The paintings, at least in my genera, are the message. If you don=t relate to them any enlightenment on my part will only help you develop a more academic understanding of why I paint. As with many artists of all disciplines my inspiration comes from living. There is a cyclical nature to my life. I am not sure if my art inspires my life or if my life inspires my art. The parts of my life that translated in to paint always leave me with a better understanding of how I see.

There are certain things that are missing from my work. This has only recently occurred to me. In a subtle way they lack any marks of modernity. I would not paint a traffic sign, or a cd player. I may even edit out hydro lines. I now know why I had an unconscious need to portray things this way. It has to do with a kind of visual literacy. It seems that you use a different part of your brain for reading symbols, and putting them in context, than you do for just experiencing something. A stop sign has a message, you can=t not read it. For me this interferes with a pure experience. Although timelessness is not an intentional component of my work, it seems to be there. I don=t feel that this is an overly contrived way of painting. It just happens to be how I see my surroundings.

My ideas come from my life. I may be out side pruning a fruit tree, as well as various other things over the course of months or even years. I am always open to situations that may reveal them selves as potential painting ideas. Fortunately, for my sanity, and unfortunately, for my prolificacy, this process takes some time. If I spent all day at the easel, there would be no influx of experiences. And if I didn’t=t paint I wouldn’t=t have the intimate parts of my life revealed to me.

Although it sounds odd, some of my paintings seem to complete themselves. One of the most difficult parts of painting is knowing when to stop. I will leave a painting when it is close to being completed, and just look at it over several days. It doesn’t=t really change, but I do. There may be a few spots that need finishing, however other areas may have been completed with in the first few minutes of work.